I am very proud to be a part of this upcoming show with the Bronx Arts Factory. The show is curated by Yolanda and Yelaine Rodriguez and they wanted to choose 10 female artists to connect you to the female form and the struggles that women face. I am still working on my pieces but I wanted to share a few of my work in progress shots. The name of this piece is “Women’s Troubles”. I wanted to illustrate the changing roles of women and the problems that they face as they make an attempt to live up to society’s expectations of them along with trying to balance their work and home lives. The show will be at the Andrew Freedman Home at 1125 Grand Concourse, Bronx, New York 10452 from March 6th through April 1st
In addition to exploring the lovely French Quarter and boozing it up on Bourbon street, I took part in a group show at Msaniart Gallery located on 823 Royal Street. This was their first time hosting a show featuring outside artists and I was the only one of the six artists chosen that didn’t live in the area. I was initially planning my imaginary trip to Nola and decided to apply to some open calls in New Orleans on craigslist. When I began making some concrete decisions on actually taking the trip, I received a response from the gallery. I was both shocked and excited, the flight was booked about three days later, we had a blast! :)
Here’s the website for Msaniart Gallery: http://www.msaniartgallery.com/#!rsge/c23ni
I hope the holidays were wonderful for you all, they were rough for me but I made it through! I never got around to making the rest of the tree ornaments for my Etsy shop but I did end up using them on my tree :)
I also snuck away on a birthday trip to New Orleans with my honey! It was fantastic and now that it is 24 degrees here in New York, I am really missing those days. Gone Too Soon…
I finally got a few done just in time for Christmas, check her out in my etsy shop here: Etsy Shop
Every year I plan on making some holiday themed dolls and ornaments and I never get around to it. After going on Facebook and seeing what my fellow dolly friends are making, I decided to give it a shot. At the moment I have a table full of dolls and doll parts but no finished pieces. I think I’m going to try to scale back and try to work on one maybe 3 pieces at a time, wish me luck guys!
This is something I stumbled on in my feed earlier this morning. I never heard of Greer Lankton before but I am very excited and looking forward to seeing her work. I’m very intrigued, the pieces are bizarre and lifelike and the artist seems to have lead a very interesting and troubled life. The show will be in the Participant Inc. gallery up until December 21st @ 253 East Houston Street NY, NY 10002.
Find out more about this artists and her work here http://www.huffingtonpost.com/2014/10/31/hilton-als-greer-lankton_n_6079604.html
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I must say it was a wonderful experience to have a two person show in Soho. Not many artists can claim that so I am extremely thankful. It was still bittersweet having to pack up my dolls and stuff them into boxes and then finally into a rolling bag. In my usual fashion, I broke a few pieces along the way. They can easily be fixed but I’ll wait till I’m good and ready, I’m taking a rest form having shows back to back.
I initially answered the open call to BWAC’s Installation art show in June with little hope that I would get called back. I had one and a half art installations under my belt at the time and the only thing that I could provide was a sketch of what I planned on doing and a photo from the art festival that I was in a few weeks prior.
Surprisingly in August I received a response from the organizer saying that he was interested in my proposal and that I had a spot in the show. As I’ve done on numerous occasions before, I panicked. I had the standing figures done already but I had proposed to create wall masks to complete the environment that I didn’t fully flesh out at the time. I had to do tons of research to figure out the best way to create them since I haven’t done them before this project. I normally use paper clay for my sculpting but I didn’t do it this time because it would be rather costly creating something so large with it. I decided to go with paper mache and ended up finding a few gurus during my research. One was Jonni Good from ultimatepapermache.com and the other was Dan the Monster Man from http://www.gourmetpapermache.com/. I used techniques from both, one was using fabric instead of newspaper strips from Dan’s site and the other was creating paper mache clay with toilet tissue from Jonni Good’s site. The fabric strip technique was used to create realistic looking folds for eyelids and skin. The paper mache clay was used to cut down on cost and to add strength to the pieces. Prior to the paper mache clay I was creating the masks with traditional newspaper and flour paste. It took a very long time to wait for the layers of newspapers to dry and when I tried to speed it up by adding more layers, I ended up with mold growing on one of my masks. It is very important to make sure that all layers dry before you add new layers to a piece, I can’t stress that enough. I was able to save the mask by scrapping out the wet inner layers of newspaper and spraying the rest of it with rubbing alcohol. Kills mold dead! When I first showed up at BWAC to get a feel of the space, I was in complete shock. I was given the best spot in the house which was right at the entrance with about 35 feet of space to fill. I wasn’t exactly sure of what to do with all of the space but I knew I would come up with something. I ended up winning first place for the Installation, I really didn’t see that coming! The show runs up until October 26th at 499 Van Brunt Street in Redhook Brooklyn. The hours are from 2-6pm on the weekends only
After about a year of planning, the Bronx Artist Documentary Project has finally made it’s debut at The Andrew Freedman Home this past Saturday September 13th. The project consisted of 30 photographers documenting 80 artists as they created artwork. I had the opportunity of being the only crossover artist to be on both sides of the lens. I was documented for a period of five sessions as I worked on various projects and I photographed three other artists while they worked in their studios. It was a great experience to meet other artists in the neighborhood and see how they began and ended their creative process. It was rather easy for me to document them, but I found it quite difficult for someone else to document me. I was very aware of the camera and tried to do everything in my power to make sure that my surroundings wouldn’t be as messy as they usually are. Overall, it was quite a bumpy ride but I think that we can all say that we’ve made a few new connections along the way :)