The Northside Festival, Year 2

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I had another successful go at the Northside Festival with my larger works! This year it was for two days instead of one AND they offered free over night storage so I wouldn’t look like a crazy bag lady with my shopping cart on the train. There were less kids at the festival to play with the pieces as they did the year prior but the “adults” were taking selfies as usual, I found a few uploaded to Instagram 🙂

I’m looking forward to participating again next year!

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Burning the Midnight Oil

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I am still hastily preparing for the Bronx Little Italy Art Show. I want to try to focus on more affordable pieces so that everyone could have a little Melandolly of their own. It’s at that point where I’m beginning to feel the crunch, I have about 2 1/2 weeks to try and crank all these little ones out. Wish me luck!

Cranking ‘Em Out!

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I have been feverishly working on a brand new set of pieces to be sold at the Bronx Little Italy Art Show this June 28th. I’m not sure exactly how many pieces that I’ll have by that time but they will definitely be priced to sell! Please be sure to stop by, I will have more details of the time and location as the date approaches. Please stand by!

Innuendos: A Collection of Work by Ten Women Artists From The Bronx

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I am very proud to be a part of this upcoming show with the Bronx Arts Factory. The show is curated by Yolanda and Yelaine Rodriguez and they wanted to choose 10 female artists to connect you to the female form and the struggles that women face. I am still working on my pieces but I wanted to share a few of my work in progress shots. The name of this piece is “Women’s Troubles”. I wanted to illustrate the changing roles of women and the problems that they face as they make an attempt to live up to society’s expectations of them along with trying to balance their work and home lives. The show will be at the Andrew Freedman Home at 1125 Grand Concourse, Bronx, New York 10452 from March 6th through April 1st

My Huge Installation show at BWAC-Brooklyn Waterfront Artists Coalition

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I initially answered the open call to BWAC’s Installation art show in June with little hope that I would get called back. I had one and a half art installations under my belt at the time and the only thing that I could provide was a sketch of what I planned on doing and a photo from the art festival that I was in a few weeks prior.

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Surprisingly in August I received a response from the organizer saying that he was interested in my proposal and that I had a spot in the show. As I’ve done on numerous occasions before, I panicked. I had the standing figures done already but I had proposed to create wall masks to complete the environment that I didn’t fully flesh out at the time. I had to do tons of research to figure out the best way to create them since I haven’t done them before this project. I normally use paper clay for my sculpting but I didn’t do it this time because it would be rather costly creating something so large with it. I decided to go with paper mache and ended up finding a few gurus during my research. One was Jonni Good from ultimatepapermache.com and the other was Dan the Monster Man from http://www.gourmetpapermache.com/. I used techniques from both, one was using fabric instead of newspaper strips from Dan’s site and the other was creating paper mache clay with toilet tissue from Jonni Good’s site. The fabric strip technique was used to create realistic looking folds for eyelids and skin. The paper mache clay was used to cut down on cost and to add strength to the pieces. Prior to the paper mache clay I was creating the masks with traditional newspaper and flour paste. It took a very long time to wait for the layers of newspapers to dry and when I tried to speed it up by adding more layers, I ended up with mold growing on one of my masks. It is very important to make sure that all layers dry before you add new layers to a piece, I can’t stress that enough. I was able to save the mask by scrapping out the wet inner layers of newspaper and spraying the rest of it with rubbing alcohol. Kills mold dead! When I first showed up at BWAC to get a feel of the space, I was in complete shock. I was given the best spot in the house which was right at the entrance with about 35 feet of space to fill. I wasn’t exactly sure of what to do with all of the space but I knew I would come up with something. I ended up winning first place for the Installation, I really didn’t see that coming! The show runs up until October 26th at 499 Van Brunt Street in Redhook Brooklyn. The hours are from 2-6pm on the weekends only

Northside Festival: With a Few Melandollies

Art Dolls, Completed Dolls

I have to say that the Northside Festival was my most challenging event by far! The Artist Chain Reaction  at The Andrew Freedman home was pretty tough being that it was my first time creating a sculpture of almost 4 feet tall, but this time I had to create a few more in less than three weeks for an outdoor event.

One of my biggest challenges was to figure out the best way to build a standing base for my work that was able to withstand wind and the crowds. I’ve never built anything to handle being outside in the elements, so this would be another first for me. I originally thought that wood would work but I needed it to be heavy so that the sculptures wouldn’t tip over from heavy wind or people interacting with them. I immediately thought I should use wooden pallets but realized that they wouldn’t be practical since I didn’t have a car to transport them. I took a few trips to Home Depot to see what I could find instead. I was lucky enough to find 2’x2′ flat wood panels that had the right amount of weight and was easy to load onto a small hand truck. I also found wooden posts there to drill into the panels to create a standing base.

The other thing that I had to worry about was the weather, it rained everyday that week and being that it was a rain or shine event, I still had to deliver. I struggled with the idea of what to do if it rained. I brought some Rain Guard protective coating to water proof the pieces but that wouldn’t do anything to protect the clothing and the hair that I use on my work. I wasn’t sure if there would be a reaction with the coating and the clay that I use so I decided to go without it. I brought clear recycling bags and hoped that I didn’t have to tacky up my work and use them.

The day of the Northside Festival turned out to be just beautiful! It was the first nice, sunny and warm day that we had in over a week and everyone was out to enjoy it. All of the things that I worried about like the base, if I was going to finish my pieces in time, and the weather panned out just fine. None of my pieces fell over and everyone seemed to be enjoying and interacting with my work. I felt all warm and fuzzy inside that day!