With this last piece that I’ve worked on for Innuendos, I found myself sculpting a couple of things for the first time. The most challenging out of them all were the eight arms hands down (no pun intended!), but the most unusual out of my first time items were the feet. I never bother too much with sculpting feet on my dolls because I am very anxious to get to all of the other mundane tasks of doll making such as sanding, picking out fabric, the dreadful sewing, hair gluing, etc. I usually just paint some simple shoes on like a ballerina slipper or a sock and get on with it. It came natural to me to create them, I just found it unnecessary to focus on them for my characters, just like ears. (There’s only one Melandolly that I’ve created with ears lol!). This time I felt the need to have actual feet. I wanted to have one foot bare with toes and everything and the other in a high heel. The bare foot is on the domestic housewife side of the piece while the heel is on the career woman half of it. I wanted to play up the “barefoot in the kitchen” phrase and also create the ideal vision of a business woman in heels.
Want to see more? Come see the finished piece at the Andrew Freedman Home at 1125 Grand Concourse, Bronx, NY 10452 from March 6th through April 1st!
The opening is this Friday from 5:30-9:30pm, hope to see you there!
I finally got a few done just in time for Christmas, check her out in my etsy shop here: Etsy Shop
Every year I plan on making some holiday themed dolls and ornaments and I never get around to it. After going on Facebook and seeing what my fellow dolly friends are making, I decided to give it a shot. At the moment I have a table full of dolls and doll parts but no finished pieces. I think I’m going to try to scale back and try to work on one maybe 3 pieces at a time, wish me luck guys!
I must say it was a wonderful experience to have a two person show in Soho. Not many artists can claim that so I am extremely thankful. It was still bittersweet having to pack up my dolls and stuff them into boxes and then finally into a rolling bag. In my usual fashion, I broke a few pieces along the way. They can easily be fixed but I’ll wait till I’m good and ready, I’m taking a rest form having shows back to back.
I initially answered the open call to BWAC’s Installation art show in June with little hope that I would get called back. I had one and a half art installations under my belt at the time and the only thing that I could provide was a sketch of what I planned on doing and a photo from the art festival that I was in a few weeks prior.
Surprisingly in August I received a response from the organizer saying that he was interested in my proposal and that I had a spot in the show. As I’ve done on numerous occasions before, I panicked. I had the standing figures done already but I had proposed to create wall masks to complete the environment that I didn’t fully flesh out at the time. I had to do tons of research to figure out the best way to create them since I haven’t done them before this project. I normally use paper clay for my sculpting but I didn’t do it this time because it would be rather costly creating something so large with it. I decided to go with paper mache and ended up finding a few gurus during my research. One was Jonni Good from ultimatepapermache.com and the other was Dan the Monster Man from http://www.gourmetpapermache.com/. I used techniques from both, one was using fabric instead of newspaper strips from Dan’s site and the other was creating paper mache clay with toilet tissue from Jonni Good’s site. The fabric strip technique was used to create realistic looking folds for eyelids and skin. The paper mache clay was used to cut down on cost and to add strength to the pieces. Prior to the paper mache clay I was creating the masks with traditional newspaper and flour paste. It took a very long time to wait for the layers of newspapers to dry and when I tried to speed it up by adding more layers, I ended up with mold growing on one of my masks. It is very important to make sure that all layers dry before you add new layers to a piece, I can’t stress that enough. I was able to save the mask by scrapping out the wet inner layers of newspaper and spraying the rest of it with rubbing alcohol. Kills mold dead! When I first showed up at BWAC to get a feel of the space, I was in complete shock. I was given the best spot in the house which was right at the entrance with about 35 feet of space to fill. I wasn’t exactly sure of what to do with all of the space but I knew I would come up with something. I ended up winning first place for the Installation, I really didn’t see that coming! The show runs up until October 26th at 499 Van Brunt Street in Redhook Brooklyn. The hours are from 2-6pm on the weekends only
This Saturday will be my first time showing at the Bronx Art Space which is located in the Mott Haven section of the Bronx. I dropped off a few pieces there yesterday and was able to get a peek at some of the other artwork that will be featured. It really blew my mind, there were so many wonderful and interesting pieces and most of them will be under $300. I am super excited to be a part of this show. I was surprised to see some of the names on the bill, I’m honored to be able to participate in the same show as them!
This has proven to be one busy summer for me. I originally had two shows scheduled in September, one being the BXADP show and the other being my first two person show at the ISE Cultural Center in Soho. This current Spoof Collective show in addition to two more this August will make six shows in four months for me. I am really feeling the love! Here’s some photos from the Spoof Collective show at Hunts Point. It will be on up until August 8th every Saturday from 3-6pm at The Brick House Gallery 1391 Lafayette Avenue, Bronx NY 10474. Photos courtesy of Ignacio Soltero, who is also featured in the show.
The Artist Chain Reaction competition was an event where two artists who never worked together before were paired up to create an installation over the course of 5 days. It took place at the lovely Andrew Freedman Home on the Grand Councorse in the Bronx during Armory Week.
I initially saw the open call for this competition about a few weeks beforehand and thought to myself that I would be in over my head if I participated in it. At the time I was working in small scale roughly under 18 inches, so I couldn’t even begin to imagine how my work would translate into anything larger. After reading the open call, I immediately closed the web page and looked for another call that I would be better suited for. A few days later a funny thing happened, I received the open call in my inbox from Jeanine Alferi. At this point I figured this was a sign that I should at least submit my work, so I grabbed the biggest piece that I had at the time, took some great shots of it and wished for the best. About a few days later I received an email from Jeanine notifying me that I was chosen to participate. I thought “Wow, how awesome is this, I’m so excited. … wait how the hell am I going to pull this off?”
I panicked but quickly began to strategize and it immediately came to me that I needed to use chicken wire and paper mache. I worked with chicken wire for a whole semester in college building project after project with it because of its strength and flexibility. The idea of using paper mache to bulk up the frame was great because it cuts down on the amount of clay that I’d have to use, making it a quicker drying, lightweight and cost efficient sculpture.
After I figured out how to handle creating the body I had to tackle the one thing that I have been avoiding all my life, the sewing machine. Anyone that knows me is well aware of my on going battle that I’ve had with using a sewing machine. I can’t thread them for my life, I usually get my mom to do it for me but she was in the far away land called Brooklyn. I’ve had a few lucky tries in the past where I’d get a few pieces done only to see it snag the material of another piece. This time I was determined and I knew that I didn’t have time to play around, I had to get this done. After taking a good look at the machine to figure out my plan of attack it began to dawn on me. I needed to run the thread through the tension discs in order for the stitch to be tight. This was something I knew but never seemed to master. I went on to YouTube to see exactly how the thread should be ran through it and vuala, that solved everything. I called my mom to tell her I did it all by myself this time :).
After getting the outfit sewn, everything else began to fall into place. I put the hair on which was a wig that I had laying around and I was able to make her stand by manipulating the chicken wire underneath her dress. I made her into a half tree half person. The story behind it came from a recent experience that my partner in the competition had went through. She was recently evicted from her home in the Bronx and she had to move to Brooklyn with her family. She said that every thing that she ever knew and was familiar to her was in the Bronx. So I decided to represent her by making a tree with the roots exposed to show how she was uprooted from her home and surroundings.
Overall it was a wonderful experience and it challenged me to take my work to another level. I just wish that I had more space at home to continue working in this size:)