Through The Frame, Spoof Collective Show July 19th

Art Shows, Publicity

This has proven to be one busy summer for me. I originally had two shows scheduled in September, one being the BXADP show and the other being my first two person show at the ISE Cultural Center in Soho. This current Spoof Collective show in addition to two more this August will make six shows in four months for me. I am really feeling the love! Here’s some photos from the Spoof Collective show at Hunts Point. It will be on up until August 8th every Saturday from 3-6pm at The Brick House Gallery 1391 Lafayette Avenue, Bronx NY 10474. Photos courtesy of Ignacio Soltero, who is also featured in the show.

Northside Festival: With a Few Melandollies

Art Dolls, Completed Dolls

I have to say that the Northside Festival was my most challenging event by far! The Artist Chain Reaction  at The Andrew Freedman home was pretty tough being that it was my first time creating a sculpture of almost 4 feet tall, but this time I had to create a few more in less than three weeks for an outdoor event.

One of my biggest challenges was to figure out the best way to build a standing base for my work that was able to withstand wind and the crowds. I’ve never built anything to handle being outside in the elements, so this would be another first for me. I originally thought that wood would work but I needed it to be heavy so that the sculptures wouldn’t tip over from heavy wind or people interacting with them. I immediately thought I should use wooden pallets but realized that they wouldn’t be practical since I didn’t have a car to transport them. I took a few trips to Home Depot to see what I could find instead. I was lucky enough to find 2’x2′ flat wood panels that had the right amount of weight and was easy to load onto a small hand truck. I also found wooden posts there to drill into the panels to create a standing base.

The other thing that I had to worry about was the weather, it rained everyday that week and being that it was a rain or shine event, I still had to deliver. I struggled with the idea of what to do if it rained. I brought some Rain Guard protective coating to water proof the pieces but that wouldn’t do anything to protect the clothing and the hair that I use on my work. I wasn’t sure if there would be a reaction with the coating and the clay that I use so I decided to go without it. I brought clear recycling bags and hoped that I didn’t have to tacky up my work and use them.

The day of the Northside Festival turned out to be just beautiful! It was the first nice, sunny and warm day that we had in over a week and everyone was out to enjoy it. All of the things that I worried about like the base, if I was going to finish my pieces in time, and the weather panned out just fine. None of my pieces fell over and everyone seemed to be enjoying and interacting with my work. I felt all warm and fuzzy inside that day!

5 Day Artist chain reaction Competition @ The Andrew Freedman Home

Art Dolls, Completed Dolls

The Artist Chain Reaction competition was an event where two artists who never worked together before were paired up to create an installation over the course of 5 days. It took place at the lovely Andrew Freedman Home on the Grand Councorse in the Bronx during Armory Week.

I initially saw the open call for this competition about a few weeks beforehand and thought to myself that I would be in over my head if I participated in it. At the time I was working in small scale roughly under 18 inches, so I couldn’t even begin to imagine how my work would translate into anything larger. After reading the open call, I immediately closed the web page and looked for another call that I would be better suited for. A few days later a funny thing happened, I received the open call in my inbox from Jeanine Alferi. At this point I figured this was a sign that I should at least submit my work, so I grabbed the biggest piece that I had at the time, took some great shots of it and wished for the best. About a few days later I received an email from Jeanine notifying me that I was chosen to participate.  I thought “Wow, how awesome is this, I’m so excited. … wait how the hell am I going to pull this off?”

I panicked but quickly began to strategize and it immediately came to me that I needed to use chicken wire and paper mache. I worked with chicken wire for a whole semester in college building project after project with it because of its strength and flexibility. The idea of using paper mache to bulk up the frame was great because it cuts down on the amount of clay that I’d have to use, making it a quicker drying, lightweight and cost efficient sculpture.

After I figured out how to handle creating the body I had to tackle the one thing that I have been avoiding all my life, the sewing machine. Anyone that knows me is well aware of my on going battle that I’ve had with using a sewing machine. I can’t thread them for my life, I usually get my mom to do it for me but she was in the far away land called Brooklyn. I’ve had a few lucky tries in the past where I’d get a few pieces done only to see it snag the material of another piece. This time I was determined and I knew that I didn’t have time to play around, I had to get this done. After taking a good look at the machine to figure out my plan of attack it began to dawn on me. I needed to run the thread through the tension discs in order for the stitch to be tight. This was something I knew but never seemed to master. I went on to YouTube to see exactly how the thread should be ran through it and vuala, that solved everything. I called my mom to tell her I did it all by myself this time :).

After getting the outfit sewn, everything else began to fall into place. I put the hair on which was a wig that I had laying around and I was able to make her stand by manipulating the chicken wire underneath her dress. I made her into a half tree half person. The story behind it came from a recent experience that my partner in the competition had went through. She was recently evicted from her home in the Bronx and she had to move to Brooklyn with her family. She said that every thing that she ever knew and was familiar to her was in the Bronx. So I decided to represent her by making a tree with the roots exposed to show how she was uprooted from her home and surroundings.

Overall it was a wonderful experience and it challenged me to take my work to another level. I just wish that I had more space at home to continue working in this size:)